{"id":13330,"date":"2024-09-10T17:21:44","date_gmt":"2024-09-10T15:21:44","guid":{"rendered":"https:\/\/www.creationsmessageres.com\/2024\/09\/10\/williaam-amor-presente-une-piece-dexception-pour-homo-faber-2024-a-venise\/"},"modified":"2024-09-10T19:05:00","modified_gmt":"2024-09-10T17:05:00","slug":"williaam-amor-presente-une-piece-dexception-pour-homo-faber-2024-a-venise","status":"publish","type":"post","link":"https:\/\/www.creationsmessageres.com\/en\/2024\/09\/10\/williaam-amor-presente-une-piece-dexception-pour-homo-faber-2024-a-venise\/","title":{"rendered":"William Amor pr\u00e9sente une pi\u00e8ce d’exception pour Homo Faber 2024 \u00e0 Venise."},"content":{"rendered":"\t\t
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First look: Homo Faber\u2019s 3rd edition \u2018The Journey of Life\u2019 opens in Venice<\/strong><\/h4>
We review the groundbreaking new exhibition, art directed by Luca Guadagnino and Nicol\u00f2 Rosmarini, of more than 800 crafted objects from around the world at the Fondazione Giorgio Cini<\/h6>
Wallpaper | 05\/09\/2024
Hugo Macdonald<\/a><\/h6>

(…)<\/p>

‘Theater of Metamorphosis – Bouquet of Roses’ by William Amor and Artisan Alexandre Vazque in the Love (courtship) room. | (Image credit: Courtesy of Michelangelo Foundation)<\/p><\/div><\/figcaption><\/figure>

“The values inherent in the practice of craft feel evermore relevant – responsibility, circularity, connection, repair, resilience, localism. Is a global, glittering showcase of this scale the most effective way of celebrating the endurance of human knowledge transmission, which is ultimately craft\u2019s most compelling quality? There is no denying this is a seductive and moving exhibition, but fewer works with greater connection to the embodied intelligence and cultural context within them would make a more powerful case for the value and necessity of craft in modern life. As our world remakes itself in front of our eyes, we need to interrogate why things matter, not just marvel at what they are. Craft at scale, even in Venice, is a hard nut to crack.”<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Flowers and jewelry for the room of Love, understood as Courtship, filled with vitrines creating a full-fledged forest<\/strong><\/h4>
AD | 05\/09\/2024
Luca Guadagnino<\/h6>

(…)
“It\u2019s a matter of balance and weight. Designing a temporary installation means, on the one hand, taking responsibility for the permanent design of a temporary event, and on the other hand, skillfully maneuvering between three variables: the hosting venue, with its character and configuration; the items to be exhibited, with their own visual and spatial qualities; and the system used to showcase the works, with its own expressive and design scope. Every time, there\u2019s a precise and personal alchemy of possible accentuations to present that complement the context, respect the works, and express a concept. In this sense, the room for Love,\u00a0<\/strong>understood as\u00a0Courtship,<\/strong> appears most successful, housing \u2014 with the same exhibition mechanism, regardless of the value of the objects \u2014 flowers and jewelry made from various materials. The design exercise focuses on the creation of a forest inhabited by different vitrines recalling solutions from the 1950s and 1960s \u2014 though not as light and innovative \u2014 designed by Luciano Baldesseri, Carlo Scarpa and BBPR.AD”<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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True Craftsmanship Takes Center Stage at Venice\u2019s Homo Faber\u2014But Is It Being Watered Down by Luxury Brands ?<\/strong><\/h4>
Luca Guadagnino’s striking scenography does little to distract from the question.<\/h5>
Artnet | 09\/2024
Caroline Roux<\/h6>

(…)<\/p>

This year, the Foundation\u2019s vice-chair, Hanneli Rupert, has stepped in. She is the daughter of Johann Rupert, the South African billionaire who is the founder of the Richemont group, which owns 28 luxury houses from Cartier to Panerai. Richemont is also the supporter of the foundation. Rupert introduced a narrative theme\u2014\u201dThe Journey of Life\u201d\u2014with ten exhibition spaces taking visitors from \u201cBirth\u201d to \u201cthe Afterlife\u201d (\u201cDeath\u201d was presumably considered a bit too brutal), and objects have been corralled into each.<\/p>

The first part of a section called \u201cLove,\u201d for example, is a room dedicated to courtship, where 20 individual vitrines display bouquets of flowers made from materials ranging from the finest unglazed porcelain (Anna Volkova) to waste plastic from a Lanc\u00f4me factory (William Amor<\/a>). It\u2019s a masterclass in creativity and virtuosity. “<\/p>

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Homo Faber, la vie racont\u00e9e par l’artisanat A Venise, dix expositions th\u00e9matiques cr\u00e9\u00e9es par Luca Guadagnino et Nicol\u00f2 Rosmarini sur le r\u00f4le des m\u00e9tiers artistiques dans nos vies<\/strong><\/h4>
CORRIERE DELLA SERA | 09\/2024
Alessandro Mussolini<\/h6>

\u00a0(…)
“Le th\u00e8me choisi par\u00a0<\/span>Hanneli Rupert<\/span><\/strong>\u00a0est\u00a0<\/span>Le Voyage de la Vie<\/span><\/i>\u00a0, il est interpr\u00e9t\u00e9 avec des s\u00e9lections th\u00e9matiques choisies \u00e0 partir de moments centraux de la vie, comme\u00a0<\/span>la naissance<\/span><\/strong>\u00a0, le point de d\u00e9part de la visite,\u00a0<\/span>la c\u00e9l\u00e9bration<\/span><\/strong>\u00a0,\u00a0<\/span>le r\u00eave<\/span><\/strong>\u00a0et\u00a0<\/span>le voyage<\/span><\/strong>\u00a0.\u00a0\u00a0<\/span><\/p>

La dur\u00e9e de la visite peut durer seulement une heure, mais elle pourrait s’\u00e9tendre ind\u00e9finiment car derri\u00e8re chaque objet il y a une histoire \u00e0 raconter, une \u00e9tude approfondie accessible gr\u00e2ce aux ambassadeurs de chaque salle capables de r\u00e9v\u00e9ler les processus et les processus. derri\u00e8re chaque cr\u00e9ation. Mais aussi gr\u00e2ce aux d\u00e9monstrations live disponibles tout au long de l’exposition.<\/span><\/p>

Alberto Cavalli<\/span><\/strong>\u00a0, directeur ex\u00e9cutif de la Fondation Michelangelo, explique ce choix : \u00ab Luca Guadagnino et Nicol\u00f2 Rosmarini ont d\u00e9velopp\u00e9 une v\u00e9ritable attention artisanale aux espaces, aux d\u00e9tails et \u00e0 l’atmosph\u00e8re, en ins\u00e9rant les objets dans un r\u00e9cit\u00a0<\/span>\u00e9vocateur<\/span><\/strong>\u00a0,\u00a0<\/span>autoritaire<\/span><\/strong>\u00a0et vraiment unique. Les\u00a0<\/span>800 \u0153uvres<\/span><\/strong>\u00a0expos\u00e9es, provenant d’environ\u00a0<\/span>70 pays \u00e0 travers le monde<\/span><\/strong> , ont \u00e9t\u00e9 cr\u00e9\u00e9es par des artisans qui, par leur talent, r\u00e9v\u00e8lent une diversit\u00e9 pr\u00e9cieuse et inattendue.\u00a0<\/span>“<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Homo Faber 2024, the exhibition on high craftsmanship not to be missed in Venice<\/strong><\/h4>
From 1 to 30 September, the Cini Foundation on the island of San Giorgio Maggiore hosts the exhibition dedicated to contemporary high craftsmanship under the artistic direction of Luca Guadagnino.<\/h5>
L\u2019OFFICIEL IBIZA\u00a0<\/span>| 02\/09\/2024
Cristina Manfredi<\/h6>

(…)<\/p>

For the first time the artifacts come from all over the world – the two previous editions had investigated specific geographical areas – for the first time a common thread has been chosen and for the first time two artistic directors have been called to orchestrate everything.\u00a0The Journey of Life<\/i>\u00a0, the journey of life, is the poetic theme that the vice president of the Michelangelo Foundation, Hanneli Rupert, launched to the team of selectors. And which has become the title of the event that can be visited by booking your 16 euro ticket (note that the availability of access on site is limited, it is better to move in advance). After which the director\u00a0Luca Guadagnino<\/strong><\/a> and the architect Nicol\u00f2 Rosmarini have designed the path, creating ten areas, ten key moments in the life of each of us, from birth, to childhood, to celebrations, to the legacies of family trades, to love, to travel, to nature, to dreams, to dialogues between different worlds, up to the encounter with death and the afterlife. All of this is scattered with over 800 objects made by more than 400 artisans from 70 countries around the world and immersed in the extraordinary setting of the Giorgio Cini Foundation, some of whose spaces have been used for the first time, such as the room where large black and white photographs bear witness to the stages of the restoration. “<\/p>

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First look: Homo Faber\u2019s 3rd edition \u2018The Journey of Life\u2019 opens in Venice<\/strong><\/h4>
INKL | 02\/09\/2024
Hugo Macdonald<\/h6>

\u00a0(…)
” Flying over Venice, coming into land at Marco Polo airport, you can\u2019t help but be struck by how small this precious and precarious archipelago is. For a city that maybe looms larger than any other in the global imagination, it really is tiny. Scale is a running theme in Venice. From the grandiloquence of its historic trading status, and the wealth and beauty that it birthed, to the looming cruise ships, disgorging their hordes to fill the tiny streets, backing-up for photos like confused ants.<\/p>

Biennales and festivals butt into each other, as do the boats of their starrier guests. Any trip to Venice comes with rumours of which celebrity, oligarch, prince or political leader also happens to be in town. Such is the scale of Venice that it\u2019s not impossible you might rub shoulders with Oprah or someone will show you their film of her climbing into a water taxi like anybody else. For all of its magic, a city built on water has a certain levelling quality when it comes to logistics, too. On boats, everyone bangs their heads; in summer, everyone sweats. “<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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La troisi\u00e8me \u00e9dition d’Homo Faber, l’\u00e9v\u00e9nement qui c\u00e9l\u00e8bre le haut savoir-faire, inaugur\u00e9e \u00e0 Venise. Avec la direction artistique tant attendue du r\u00e9alisateur Luca Guadagnino<\/strong><\/h4>
CONTRACT NETWORK <\/span>| 02\/09\/2024<\/h6>

(…)<\/p>

La troisi\u00e8me \u00e9dition d’Homo Faber a \u00e9t\u00e9 inaugur\u00e9e \u00e0 Venise, l’\u00a0exposition consacr\u00e9e au haut artisanat<\/strong>\u00a0– national et international – qui\u00a0se d\u00e9roule\u00a0\u00a0jusqu’au 30 septembre dans le complexe monumental de la\u00a0<\/strong>Fondation Giorgio Cini, sur l’\u00eele de San Giorgio Maggiore<\/strong><\/p>

Un \u00e9v\u00e9nement qui c\u00e9l\u00e8bre l’art et\u00a0le savoir-faire<\/em>\u00a0et qui se d\u00e9roule cette ann\u00e9e sous la\u00a0direction artistique du r\u00e9alisateur Luca Guadagnino<\/strong>\u00a0et de l’architecte Nicol\u00f2 Rosmarini. Explorant et d\u00e9veloppant le th\u00e8me de l’ann\u00e9e \u2013\u00a0Le parcours de la vie<\/strong><\/em>\u00a0\u2013 leur mise en sc\u00e8ne plonge les visiteurs dans un r\u00e9cit riche qui se d\u00e9roule au milieu de d\u00e9cors exceptionnels, de cr\u00e9ations artisanales sur mesure. des ateliers et des d\u00e9monstrations artisanales en direct qui font d’Homo Faber 2024 un v\u00e9ritable voyage sensoriel.. “\u00a0<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Homo Faber 2024<\/strong><\/h4>
Archipanic | 09\/2024

<\/h6>

\u00a0(…)
” Design\u2013Luca Guadagnino has a special bond with Venice. This month, the Italian city hosts two major events of his career as an acclaimed filmmaker and interior designer. He presented his new movie Queer at the Venice Film Festival and inaugurated Homo Faber 2024, the third edition of a biennial showcase celebrating craftsmanship, now open to the public until the end of the month.<\/p>

The Journey of Life is an amazing and very streamlined and universal concept.\u201d Explained Luca Guadagnino. \u201cIt led us to understand how to envelop the audience through the amazing architecture of the Fondazione Cini so that the craft on display would not be overwhelmed, but, at the same time, the place itself was given a lot of relevance. “<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\tLire en ligne<\/span>\n\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/a>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

William Amor, upcycling artist (Paris) pr\u00e9sente la pi\u00e8ce ma\u00eetresse de son “Th\u00e9\u00e2tre de la m\u00e9tamorphose”, installation monumentale r\u00e9alis\u00e9e pour THE ART OF ABSOLUE, exposition LANC\u00f4ME \u2013 Shanghai \/ Chine.<\/p>\n","protected":false},"author":3,"featured_media":13331,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[173,168,167],"tags":[300],"class_list":["post-13330","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-events","category-news","category-press","tag-homofaber"],"jetpack_featured_media_url":"https:\/\/www.creationsmessageres.com\/wp-content\/uploads\/2024\/09\/Revue-de-Presse-HomoFaber-copie.jpg","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.creationsmessageres.com\/en\/wp-json\/wp\/v2\/posts\/13330","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.creationsmessageres.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.creationsmessageres.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.creationsmessageres.com\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.creationsmessageres.com\/en\/wp-json\/wp\/v2\/comments?post=13330"}],"version-history":[{"count":2,"href":"https:\/\/www.creationsmessageres.com\/en\/wp-json\/wp\/v2\/posts\/13330\/revisions"}],"predecessor-version":[{"id":13333,"href":"https:\/\/www.creationsmessageres.com\/en\/wp-json\/wp\/v2\/posts\/13330\/revisions\/13333"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.creationsmessageres.com\/en\/wp-json\/wp\/v2\/media\/13331"}],"wp:attachment":[{"href":"https:\/\/www.creationsmessageres.com\/en\/wp-json\/wp\/v2\/media?parent=13330"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.creationsmessageres.com\/en\/wp-json\/wp\/v2\/categories?post=13330"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.creationsmessageres.com\/en\/wp-json\/wp\/v2\/tags?post=13330"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}